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The first time Stephanie Saltis experienced the delight of theater was an accident. The ����ֱ�� Boulder alumna was in high school, playing Hermia in A Midsummer Night’s Dream.  

“That was my first play ever, and I remember doing a scene where I was supposed to be laying on the ground and sleeping, but I wasn’t. I’d mistakenly gotten up, and then another actor said the line, ‘...with Hermia sleeping there on the ground...’” Saltis recalls. “Hearing that, I dropped dead on the stage.” 

Saltis rehearses as Nausicaa in the CSF’s production of The Odyssey (photo courtesy to ����ֱ��).

“I will always, always remember that moment. It showed me how fun this life can be,” Saltis says. 

The stage, for Saltis, is a place of healing, transformation and joy. Through her work as an intern for the ����ֱ�� Shakespeare Festival, Saltis spent many months in a whirlwind of rehearsing for the festival’s 2021 summer season and preparing to bring Shakespeare to schoolkids across ����ֱ�� through the CSF’s Shakespeare & Violence Prevention Tour. The program's goal is to educate students about the cycle of violence, empathy and upstander behavior using performance and the latest school violence research.

Theater wasn’t always such an integral part of her life, and Saltis remembers a time when the stage was out of reach. 

She describes her younger self as a “lonely little kid,” and recalls turning to TV and movies for comfort. Saltis and her mother moved frequently, living in Las Vegas and later, Miami. Her schools had limited arts programs. Coupled with a fear of the stage, Saltis did not start acting until her sophomore year when they moved to Louisville, ����ֱ��. 

"Growing up, I was not a popular kid and I got made fun of a lot for my weight. There were a lot of hard days and I definitely had thoughts of suicide in high school,” Saltis says. “I know what it was like to feel absolutely awful about myself because of others and the violence in the schools that I dealt with. If I had something like the violence prevention tour, maybe things could have been different.” 

Established in 2011, the violence prevention tour is CSF’s flagship education and outreach program. They partner with ����ֱ�� Boulder’s for training on the latest bullying and school violence research and use live performance to help students engage with Shakespeare. In virtual and in-person sessions, students learn intervention strategies that can be used when they see mistreatment happening around them. Over the last decade, the program has reached more than 112,000 elementary and high school students across ����ֱ��. 

����ֱ�� Presents and CSF also offer additional education and outreach programs, including workshops, book clubs, summer camps and after-school programs. These programs are supported by donors who understand the importance of making Shakespeare’s works accessible and removing the intimidation factor at a young age. Donor support is integral to CSF’s year-round education and outreach programming, with philanthropy supporting artists’ wages, audiovisual equipment, training on intervention techniques and other efforts.

“An early exposure to Shakespeare can equip children with confidence, strong communication skills, and an awareness of what it means to be human,” Amanda Giguere, CSF’s director of Outreach, says. “When we introduce young people to Shakespeare, we are not only introducing them to 400-year-old plays, we are also giving them the chance to better understand themselves, their peers and their communities.” 

Donors also enable iconic institutions like the ����ֱ�� Shakespeare Festival to return year after year. Philanthropic giving sustained the festival through the uncertainties of the COVID-19 pandemic when many theaters, festivals and programs around the country were forced to close. 

After a hiatus from live performances that cancelled the entire 2020 season, Saltis and her castmates finally stepped back onto the stage this summer, performing in A Midsummer Night’s Dream and Mary Zimmerman’s adaptation of The Odyssey. 

“It was a year of no theater for us actors, and that’s the worst thing ever,” Saltis says. “Everyone in the company had this gratitude for each other, and we were all there, rooting for each other and trying to bring hope and joy back into our lives.” 

Although they performed to a smaller audience of 265 instead of the usual 1,000 at the Boulder campus’ Mary Rippon Theatre, night after night, Saltis and her castmates received standing ovations for their performances in The Odyssey. 

“Every night, we heard laughter in the audience. It was amazing to see their smiles. We didn’t get to see that for the last year,” Saltis recalls. “We’d come off stage and say, ‘Oh my god, another standing ovation. Wow!’” 

After accepting a first-generation scholarship to attend ����ֱ�� Boulder, Saltis successfully auditioned for ����ֱ�� Boulder’s highly competitive BFA in acting program in her second year. Later, she was selected from a pool of hundreds of applicants for one of four coveted internship positions at the ����ֱ�� Shakespeare Festival. 

“In her audition, Stephanie showed real preparation, talent and discipline. She had a sparkle that we knew would shine to the back row of the theatre,” Tim Orr, CSF’s producing artistic director, recalls. “During the festival season, she showed her excellent training, a killer work ethic and real grit.” 

Saltis performs as Snout the Tinker in Popular Mechanicals (photo courtesy to ����ֱ��).

Over the years, Saltis has worked hard to arrive at a personal understanding of the Bard’s works. Most memorably, she created a 15-minute, one-woman show for Hermia—the character she played in her first foray into theater—by incorporating lines from Shakespeare characters Ophelia, Juliet and Rosalind.  

This fall, Saltis and CSF will share the magic of Shakespeare with students across ����ֱ��—students who may face struggles like hers with bullying, isolation and poor self-image. Saltis and her castmates will bring a message of hope, change and agency to help other kids who may be struggling as Saltis once did. 

“In the workshops, we have the students roleplay as themselves, and we ask them, ‘What can you do to stop the violence? What would help prevent further harm while keeping yourself safe?’” Saltis says. “Something else we key in on is that someone isn’t ‘a bully,’ someone is ‘acting as a bully,’ and it’s not prescribed. We all have the power to change.” 

The potential for change is something that puts a smile on her face. 

“The idea that you can always change and be better gives me joy,” Saltis says. “Today wasn’t great, but tomorrow will be better. If you fail, you can get up and try again. That makes me happy.”

“It’s otherworldly in a way. It’s really magical what you can come up with and how the texts have survived for so long,” Saltis says.

This fall, Saltis and CSF will share the magic of Shakespeare with students across ����ֱ��—students who may face struggles like hers with bullying, isolation and poor self-image. Saltis and her castmates will bring a message of hope, change and agency to help other kids who may be struggling as Saltis once did. 

“In the workshops, we have the students roleplay as themselves, and we ask them, ‘What can you do to stop the violence? What would help prevent further harm while keeping yourself safe?’” Saltis says. “Something else we key in on is that someone isn’t ‘a bully,’ someone is ‘acting as a bully,’ and it’s not prescribed. We all have the power to change.” 

The potential for change is something that puts a smile on her face. 

“The idea that you can always change and be better gives me joy,” Saltis says. “Today wasn’t great, but tomorrow will be better. If you fail, you can get up and try again. That makes me happy.”