When the Invisible Empire Stormed the Front Range: The Reign of the 1920s Ku Klux Klan in Boulder County, 蜜糖直播, Aaron Fox 听
UFOs 1940s-1950s: Birth of a Cover-up, Ryan Lanham
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When the Invisible Empire Stormed the Front Range: The Reign of the 1920s Ku Klux Klan in Boulder County, 蜜糖直播, Aaron Fox
Link to Full Thesis:听
EDITORIAL NOTE
On the topic of the history of the Ku Klux Klan in 蜜糖直播, historian Patricia Limerick says, 鈥淚t is a cautionary tale.听 If we are not in denial of the power of the Klan in 蜜糖直播, we are better set up to be more honest about ourselves and who we are now鈥� (Speer, 2017).听 This thesis explores the Boulder, 蜜糖直播 Klan鈥檚 involvement in county politics and government in the 1920s. Boulder County has a long history of settlement by Latinos, who were targeted by the Klan, but this history remained largely untold until 2016. Because this thesis was written in 2015, it does not include extensive discussion of that history.听 For more information about treatment of Latinos by the Klan in Boulder County, see the Boulder County Latino History Project () and Latinos of Boulder County, 1900-1980 by Marjorie K. McIntosh (鈥揻or specifics about Latinos鈥� experience with the Klan, see pages 109-126).
Works Cited:听 Speer, J. (Producer & Director). 2017. KKK. 蜜糖直播 Experience. Retrieved from .
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ABSTRACT听
During the 1920s, the Ku Klux Klan reemerged in the United States. This second manifestation of the Invisible Empire spread from its traditional homeland in the South to almost every other region in the United States. It gained tremendous support through shrewd campaigning, using modern forms of advertising and by diagnosing local issues in communities and offering idealistic solutions. Racial superiority remained a part of the national platform, but other forms of intolerance came to the forefront. Anti-Catholicism, anti-Semitism, and nativism became segments of a larger 鈥�100 percent Americanism鈥� ideology that the Klan hoped to spread throughout the country. Additionally, Klan leaders used a more conservative form of Protestantism to attract more moderately minded white men and women. Other issues that the Klan argued for were improved law and order, education reform, moral authoritarianism and civic engagement.听
One area in 蜜糖直播, Boulder County, had significant Klan activity during the 1920s. The cities of Boulder, Lafayette and Longmont all had local Klan lodges. In different ways, the Invisible Empire鈥檚 ideology resonated with some inhabitants of the Boulder County. Unfortunately, this history has been relegated to a few paragraphs in local histories. This thesis analyzes the development of the Klan in each city and provides some preliminary reasons behind the Klan鈥檚 ascension and decline in the county.听
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Introduction:听
Our cause听is听true Americanism. This means in all听vital听things a superior Christian civilization for America. Our destiny is the common welfare, materially and mentally, physically and spiritually, upon a plane high above any mankind has ever known. We have the heritage, the resources, the opportunity, for the achievement of the noblest and best in human happiness and power. Our crusade has that glorious goal.听
鈥擧iram Wesley Evans, former Imperial Wizard of the Knights of the Ku Klux Klan听
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On October 24, 1923, Hiram Wesley Evans, the national leader (Imperial Wizard) of the Ku Klux Klan gave this address to commemorate Klan Day at the Texas state fair in Dallas and to outline one of the Ku Klux Klan鈥檚 basic tenets: immigration restriction. Evans鈥檚 audience included thousands of Klansmen and women who had gathered to celebrate the Klan鈥檚 expansion and astounding rise in popularity.听听
It may be difficult to imagine the Ku Klux Klan, a secretive organization that is primarily characterized as a group of Southern, bigoted white men parading around in sheets and burning crosses, as a mainstream political and social force at any point in United States history. In fact, the Klan in the 1920s gained tangible power in state and local politics and, during its peak, boasted between three and six million members. Three major national conditions gave the Klan an ideal opportunity to spread throughout the United States. First, this second version of the Klan became an outlet for white, Protestant men and women who faced an assortment of social and cultural divisions that had spread throughout the post-World War I United States.听 These issues included Prohibition, immigration, and a so-called deterioration of social values, labor conflict, and religious conservatism. Additionally, a national economic recession hit the United States after World War I primarily because the European demand for American agricultural and manufactured goods decreased substantially. Finally, and perhaps most opaquely, the Klan mirrored some of the mystical and social elements of such popular fraternal organizations as the Odd Fellows, Masons, and Kiwanis.听听
The Klan during this time often ostentatiously exploited these feelings of unease to argue vehemently against many fundamental qualities of the United States. Hiram Wesley Evans and the national leaders of the Klan in the 1920s also used these criticisms to energize their campaign and broaden the appeal of the organization to as many white, Protestant men and women as they could. Again, contrary to popular belief, they succeeded in expanding their hooded order across the United States. One analysis found that seven of the ten states that reported the highest number of Klan events lay outside of the South--the Klan鈥檚 traditional homeland. Several scholars have provided lengthy analyses of the national Klan during the 1920s that highlight the adaptability and strength of the movement. These analyses provide valuable overviews, which help frame the Klan as a national movement. Some have also studied individual states to determine the Klan鈥檚 successes and failures at a more regional level. 蜜糖直播, for example, became the stronghold of Klan support in the Rocky Mountain West. With approximately 35,000 members, the 蜜糖直播 Klan, for a time, effectively wove itself into the social fabric of the state.听听
Along with statewide investigations, other scholars have examined smaller, more obscure communities to better gauge how the Klan operated and attracted followers. Within 蜜糖直播, one community in particular has received scant study: Boulder County. During the 1920s, Boulder County did not escape the spread of Klandom. Instead, the Klan, with relative ease, infiltrated the local governments and/or spread throughout the towns of Boulder, Lafayette and Longmont. These three towns provide excellent case studies into the reasons behind the Klan鈥檚 ascendance and swift demise. A local study like this offers an opportunity to compare the Klan鈥檚 development in three geographically-close yet diverse, unique areas that were all influenced by the Invisible Empire. The main questions that arise from a community study like this include: How did the Klan operate in each city? Why did it proceed? What are the notable similarities and differences between the klaverns (local Klan chapters) in each city? Why did each Klan experience a rapid demise? Through the use of secondary works and primary sources from the era, one can begin to answer these questions. Klan members typically concealed their identities, so analyzing this movement required a methodology based on newspaper records, oral histories, Klan literature and secondary sources. Moreover, the sources examined spoke of klaverns in other smaller towns and cities such as Erie, Louisville and Nederland. I chose to focus on Boulder, Lafayette and Longmont because they were the three most populated cities and the resources available only briefly mentioned Klan activity in other communities in Boulder County.听
Today, an observer would be hard-pressed to imagine the Ku Klux Klan operating in Boulder County. The city of Boulder is often described as a far left-leaning community where cultural pluralism is encouraged. Lafayette boasts similar political and social tendencies, while Longmont could be characterized as more politically moderate, but still generally as a socially liberal city. Boulder County during the 1920s, however, proved to be an appropriate community for various forms of Klan activity because the social, political and economic landscapes of the county varied dramatically from those of the present day. Indeed, hundreds of Boulder County inhabitants joined the KKK during the 1920s.听
The violence and bigotry perpetrated by the Klan throughout its history should not be understated. There is no doubt that the Klan used brutal methods to propagate its hateful agenda, and one should not disregard this element of the organization. A similar perspective, to an extent, should be used when analyzing the KKK in Boulder County. One former resident of Lafayette described an instance when the editor of the听Lafayette Leader, the primary newspaper in Lafayette during the 1920s, was taken to the edge of town and threatened because of an anti-Klan editorial he had written. The Klan in Boulder County still utilized these fear tactics to target people who did not fit the 鈥�100 percent American鈥� profile the Klan so vehemently argued for; that is, Klansmen and women aimed their acrimonious rhetoric and actions against people of color, Catholics, Jews and immigrants.听
At the same time, one should not simply dismiss the movement as a case of 鈥渂ackward,鈥� people propagating fanatical ideologies. Although their mission would be abhorred by people professing mainstream modern standards, nativism and racial intolerance were not exclusively extremist viewpoints during the 1920s. In 1921, for example, a Republican congressman from Washington, Albert Johnson, remarked that 鈥渁bnormally twisted, unassailable Jews...filthy, un-American and often dangerous in their habits鈥� threatened to overwhelm the country. One author notes that the听restrictionist, anti-immigration policies of the 1920s not only severely hindered the opportunities of immigrants, but that they 鈥渄id so in a blatantly racist way that perpetuated old injustices and created new ones, which endured for decades.鈥澨�
The increase in nativist sentiment throughout the United States coincided with other severe cultural and societal clashes. Supposed sexual deviance, Prohibition, urban sprawl, conservative Protestantism, the decline of Progressivism, and the rise of conservatism all became tinder for passionate debates throughout the United States. Boulder County was not immune to these fiery disputes and many residents wrestled with these issues. By 1882, for example, the city of Boulder had eighteen saloons operating within city limits. Twenty-five years later, a city ordinance outlawed the consumption and sale of alcohol. It would take another sixty years for Boulder to reverse the ordinance and officially become a wet city again. These types of debates spread throughout the county and made it an ideal recruiting ground for the 1920s version of the Klan. Additionally, as will be discussed later, each klavern operated with autonomy and attempted to carry out both idealistic and concrete policies. The policies that the Boulder klavern envisioned, for example, may have differed from or aligned with those of the Longmont or Lafayette klaverns. At different points in time, the various Boulder County Klan members sought change through the traditional political system and through extralegal methods. Moreover, evidence underscores an equally important element of the 1920s Klan: that it attracted people who wanted the thrill of joining a mystical, secretive organization. As a result of the genuinely entertaining value of the Klan, members most likely considered it to be a leisure-filled activity, rather than an obligatory responsibility. Through its dexterous political and social advertising, the Klan drew support from a large constituency throughout the United States, 蜜糖直播 and Boulder County. A closer examination of Klan operations in Boulder County emphasizes the Klan鈥檚 appeal for law and order, conservative Protestantism, nativism, solidarity among Protestant businesses, and civic-minded reform.听听
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II.听The Klan in 蜜糖直播:听
As the preeminent economic and social center in the Rocky Mountain West, 蜜糖直播 would become an integral part of the national Klan during the 1920s. Its topographical layout would initially, however, make it seem like a difficult place for the Klan to spread. Characterized by treeless plains to the east and the majestic Rocky Mountains to the west, 蜜糖直播 lured cattle ranchers and crop-growing farmers who dispersed throughout the state.听 But 蜜糖直播 underwent an urban surge during the early 1900s that caused an influx of industries and businesses to pop up throughout the state. Along with this economic and demographic expansion that increased the viability of the Klan in 蜜糖直播, the state鈥檚 nativist history laid a foundation for the Klan鈥檚 growth.听听
By the 1840s, nativism and anti-Catholicism had materialized through ballot boxes throughout the United States. A tradition of Protestant domination and a rush of immigrants from countries like Germany and Ireland caused a wave of fear and targeted discrimination towards newcomers. Aggressive nativist sentiment morphed into a political entity with the creation of the Know-Nothing Party during the 1850s. It shared many qualities with the second Klan, including a meteoric rise and precipitous fall. Moreover, it was a 鈥渉ighly secretive, ritualistic, fraternal order.鈥� Members of the Know-Nothing party emphatically denounced the Catholic Church and any Papal control over traditionally American institutions like schools and government. As a third party, the Know-Nothings were unable to sustain political victories achieved during the 1854 and 1855 elections. Additionally, the Know-Nothings were affected by the same political ineptness that plagued the Ku Klux Klan of the 1920s. As the progenitor of an anti-Catholic, nativist tradition, it would heavily influence the political landscape in the United States for decades.听
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After [founder of the second Ku Klux Klan Colonel William J.] Simmons鈥� visit, Klan leaders in 蜜糖直播 naturally identified Denver as the premier location for a state headquarters. Boasting over 25,000 inhabitants, Denver was far more populous than the surrounding communities in the Front Range. Like the center of a black hole, the Denver Klan鈥檚 gravitational pull exerted the most influence on the counties that were the closest geographically. The diffusion of urbanized areas in 蜜糖直播 made it an ideal situation for Klandom to spread quickly. Situated only 30 miles from Boulder, Denver was relatively close to the other urban areas in 蜜糖直播 including Greeley (54 miles), 蜜糖直播 Springs (70 miles) and Pueblo (112 miles). This close proximity allowed for Boulder County to be tremendously influenced by Denver. This intrinsic connection, however, did not cause all of the Boulder County klaverns to become homogenized clones of Denver鈥檚 klaverns.听听
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III.听The 鈥淎thens of the West鈥�: The Klan in the City of Boulder:听
The fact that the three cities examined in this thesis--Boulder, Lafayette and Longmont--each had a functioning klavern in the 1920s speaks to the Klan鈥檚 considerable flexibility. Before the Klan arrived in Boulder County, each city had distinct characteristics, which clearly distinguished them from one another. As with any community, various factors converged to shape the identities of each of the three cities. The University of 蜜糖直播, for example, heavily influenced Boulder. Coal mining became the staple economic force in Lafayette, and agricultural crops like sugar beets brought people from various racial and ethnic backgrounds to Longmont. More than anything, state Klan leaders saw Boulder County as a community in which it could appeal to conservative Protestantism, civic activism and moral authoritarianism.听
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On a national scale, scholars have hesitated to reduce support of the Klan to purely economic factors. Macro-level analyses discuss the agricultural recession driven by the end of World War I. Within a community the size of Boulder, however, one can see that attempts were made to create a well-incorporated economic network among Protestants. In addition, writers for the听Rocky Mountain American听professed support for the active enforcement of Prohibition and the implementation of Protestantism within public schooling. All of these themes coalesced into an underlying message of 鈥�100 percent Americanism.鈥� In one editorial, Francis devotes a significant amount of space to denouncing opponents of the Klan, 鈥渁n organization which stands for 100% Americanism and speaks for the great majority of Christian Americans.鈥�. Combining ultra-patriotic idealism with mainstream Protestant beliefs became a recurring theme in the publication.听听
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Conclusion听
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This thesis should not be characterized as alarmist. It should, however, be a reminder that few communities have impeccable pasts. Boulder County is not immune to scrutiny and its past should be carefully analyzed. Even though the 1920s Ku Klux Klan is no longer depicted as an unconditionally extremist organization, its principles were still steeped in intolerance, prejudice and exclusion. These events should not be confined to a few lines in a folksy history of Boulder County; it should be visible for all to see, even if there are seemingly invisible forces at work.
Bibliography听
Dr. H.W. Evans, The听Menace of Modern Immigration听(Dallas, Texas: October 24, 1923), 3.听听
Shawn Lay,听Invisible Empire in the West: Toward a New Historical Appraisal of the Ku Klux Klan of the 1920s听(Urbana and Chicago: University of Illinois Press, 1992), 19.听听
Eric听Foner,听Give Me Liberty!: An American History听(New York: W.W. Norton & Company, 2009), 741; and Robert Alan Goldberg,听Hooded Empire: The Ku Klux Klan in 蜜糖直播听(Urbana: University of Illinois Press, 1981), vii.听
Rory McVeigh,听The Rise of the Ku Klux Klan: Right-Wing Movements and National Politics听(Minneapolis: University of Minnesota Press, 2009), 15.听
Roger Daniels,听Guarding the Golden Door: American Immigration Policy and Immigrants Since 1882听(New York: Hill and Wang, 2004), 48.听听
Blanche Moon, interview by Anne听Dyni, 1990, Maria Rogers Oral History Program, Carnegie Library for Local History, Boulder, CO.听
Phyllis Smith,听A Look at Boulder: From Settlement to City听(Boulder, CO: Pruett Publishing Company, 1981), 155.听
Carla Joan Atchison, 鈥淣ativism in 蜜糖直播 Politics:听 The American Protective Association and the Ku Klux Klan鈥� (MA thesis, University of 蜜糖直播 at Boulder, 1972), 17.听
Goldberg,听Hooded Empire,听5.听
John B.听Schoolland,听Boulder in Perspective: From Search for Gold to The Gold of Research,听(Boulder, CO: Johnson Publishing Company, 1980), 176听
Unsigned editorial,听Rocky Mountain American, February 27, 1925.听
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UFOs 1940s-1950s: Birth of a Cover-up, Ryan Lanham
I know of no country in which there is so little independence of mind and real freedom of discussion as in America.听
鈥擜lexis de Tocqueville,听Democracy in America听
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In today鈥檚 age of digital technology, the nearly ubiquitous presence of recording devices has become a fact of听modern听life. Criminals performing illegal activities are caught on听tape. Abuses by police officers are filmed by passersby or by mandatory body cameras. Pictures and videos are hosted by social media platforms that create a unique experience of global interconnectedness. At the same time, today鈥檚 governmental agencies have unprecedented access鈥攍egal or otherwise鈥攖o the private data of their citizens鈥櫶齦ives.听Recent leaks by whistleblowers have shown the rampant and widespread nature of these civil liberties abuses, and more people are becoming aware that our government is not the benevolent entity it often proclaims听itself听to be. With the advent of the internet, individuals from all over the world may now access, study, and share information with unparalleled ease.听听
On March 13, 1997, an event known as the Phoenix Lights occurred over Phoenix, Arizona.听Between the hours of 7:30pm and 10:30pm, thousands of residents witnessed two听Unidentified Flying Object (UFO)听events: an enormous V-shaped object flying silently overhead and a group of strange lights hovering in the sky. Unlike mass sightings in the past, the Phoenix Lights听was听captured on video, preemptively disproving any possible claims of mass hysteria or听mistaken witnesses.听This was not the case when the UFO phenomenon听took center stage听in the 1940s and 1950s.听Initially, unidentified flying objects garnered marked interest by the United States Air Force,听which听even听admitted听concern听to the听press. As the number of sightings continued to听rise, especially in the late 1940s听and听1950s, the official听stance听shifted from one of interest to one of denial. Great steps were taken by the听Air Force听to discredit the UFO phenomenon, though many of the events were never officially disproven or resolved. Instead, the official position concerning UFO events, and the听relevant policies, reveal a concerted effort to cover听up information and skew public perception鈥攁n idea that was perhaps difficult to fathom at the time, though easier to听accept听today.听
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Ancient听Accounts and Modern Sightings听
If 鈥渢hey鈥� discover you, it is an old but hardly invalid rule听of thumb, 鈥渢hey鈥� are your technological superiors.听
鈥擭SA analyst and author, 1968听
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Throughout human history听there听have been innumerable reports of strange objects in the sky.听Biblical texts speak of听a chariot听of fire ascending into the heavens. Vedic texts describe ancient aerial warships called听vimanas.听Indigenous cultures throughout the world describe visitation from unknown objects in the sky鈥攖he Hopi in North America, the Dogon in Africa, the Inca in South America, the Aboriginals of Australia, and the list听goes on.听Indeed, artwork spanning the ages is replete with depictions of flying anomalies, though whether these are the same types of unidentified objects seen today is impossible to say. Still,听worldwide听accounts of听flying objects before听the advent of modern aviation are听odd occurrences听worth noting.听
For the purposes of this study, we will begin our UFO analysis with the foo fighter sightings during World War II.听鈥淔oo fighters鈥� was the term given to unexplained aerial phenomena encountered by pilots during the war.听These entities were typically described as 鈥渂alls of light,鈥澨齛nd听scores of pilots from various nations witnessed seeing鈥攅ven, interacting鈥攚ith these strange objects. Pilot Lieutenant听Meiers听had this to say: 鈥淲hen I first saw the things off my wing tips, I had the horrible thought that a German on the ground was ready to press a button and explode them. But they don鈥檛 explode or attack us. They just seem to follow听us like will-o鈥�-the-wisps.鈥�1听Another pilot, Lieutenant Wallace Gould, reported a set of lights that followed his plane听before soaring听to 20,000听feet in a matter of seconds.2听Similar accounts flooded in from around the world, many speculating听that听the foo fighters听were听under intelligent control.听
Aerial warfare during War World II was at unprecedented high, in terms of听both听technology and secrecy. While the United States was covertly developing the atom bomb, under the听Manhattan Project, German听and Russian engineers and scientists were busy developing their own cutting-edge weaponry. In fact, secrecy was considered so vital to national security that for more than two years the Manhattan Project was unknown to a single member of Congress, despite a final cost of over $2 billion.3听Indeed, the foo fighter phenomenon was initially considered听a听form of secret enemy weaponry,听with听some听even听speculating the lights constituted psychological warfare since 鈥渋t is not the nature of the fire-balls to attack planes.鈥�4听Whatever the case, the unidentified flying objects were discussed openly with the public, as both civilians and military personnel struggled to determine the origin of the听dexterously听maneuvering lights.听
Public discourse on UFO phenomena by听Air Force听officials was short-lived. In July 1947, the Roswell Incident鈥攑erhaps the most听widely publicized听UFO story鈥攐ccurred in Roswell, New Mexico. Countless books and articles have been written about the crash in the desert, though whether the downed object was a weather balloon or some other flying object remains the source of controversy. It is unlikely that conflicting accounts by civilian and military personnel will ever be resolved publicly. Secrecy is key to national interests, so authorities say, and official policy has been to rebuff any further inquiries into the matter. In fact, just weeks after the Roswell听incident听President Truman signed the National Security Act,听thereby听establishing the Central听Intelligence Agency鈥攁n institution听now known for听organizing听foreign coups, torturing prisoners, facilitating听the听drug trade, spying on citizens, and even committing听egregious听human rights violations with programs like听Project MK-Ultra. Interestingly, Roscoe H.听Hillenkoetter, the first Director of the CIA (1947-1950), was also among the first advocates for public disclosure of governmental information concerning UFOs, even serving on the Board of Governors for听the听non-profit听National Investigations Committee on Aerial Phenomena (NICAP).5听
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Project听Sign, Psychology, and Radar听
It is a mistake to believe that a science consists in nothing but conclusively proved propositions, and it is unjust to demand that it should. It is a demand only made by those who feel a craving for authority in some form and a need to replace the religious catechism by something else, even if it be a scientific one.听
鈥擲igmund Freud听
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Before the founding of NICAP and other civilian organizations, the government听instituted听its听own听group to collect and analyze UFO reports: Project Sign. In September 1947, the chief of the Air Technical Intelligence Center (ATIC) sent a letter to the Commanding General of the Army Air Forces urging him to establish a permanent project to investigate UFO reports.6听The Commanding General granted ATIC鈥檚 request and launched Project Sign.听Initially, ATIC, one of the most highly specialized intelligence units in the Air Force, believed that reported UFOs were real. The riddle they hoped to solve was whether the UFOs were of Russian or interplanetary origin.7听After further analysis, the maneuvering capabilities of the reported UFOs were听understood to be听so advanced that many of the ATIC members who believed the objects to be of听Russian听origin听still thought the Russian advancements were coming from 鈥渟ome unknown race with a highly developed state of technology [that] could build such vehicles.鈥�8听Despite thorough investigations from competent personnel, top military brass were not readily acceptant of Project Sign鈥檚 notions of interplanetary vehicles.听
In December 1949, after nearly two years of investigating UFO reports, Project Sign was terminated, though the听Air Force听discreditation听campaign was just beginning. In an official press release,听the听Air Force听claimed 鈥渢here is no evidence the [UFO] reports are not the results of natural phenomena.鈥�9听The announcement further claimed that all reported UFOs resulted from one听of three things: misinterpretation of conventional objects, mass hysteria, or hoaxes.10听A secret memo from General Nathan Twining USAF reveals quite a different assessment:听听
The phenomenon reported is something real and not visionary or fictitious. . . . The reported operating characteristics such as extreme rates of climb, maneuverability (particularly in roll), and action which must be considered听evasive听when sighted or contacted by friendly aircraft and radar, lend belief to the possibility that some of the objects are controlled either manually, automatically or remotely.11听[emphasis in text]听
A declassified memo from FBI Director J. Edgar Hoover unveils another angle of deception occurring far from the public eye, this time pertaining to the Roswell crash: 鈥淲e must insist upon full access to discs recovered . . . the army grabbed it and would not let us have it for cursory examination.鈥�12听How听could听Hoover be requesting access to discs when the official story claimed听the wreckage听was听downed weather balloons?听Whatever听these flying听entities听were, they were certainly real and not explainable as conventional objects.听
Explaining UFOs as a type of mass psychological phenomenon was another broad dismissal tactic that gained traction with the public. Unwittingly perhaps, historians like William听Graebner听have latched onto the idea that widespread Cold War anxiety manifested itself publicly in the form of UFOs and other strange sightings.13听Renowned psychologist Carl Jung, a听far better expert on the matter than most historians,听thought otherwise. As Jung notes in his book听Flying Saucers, 鈥渋t was the purpose of this essay to treat the UFOs primarily as a psychological phenomenon. . . . Unfortunately,听however, there are good reasons why the UFOs cannot be disposed of in this simple manner.鈥�14听He then explains that 鈥渋t remains an established fact, supported by numerous observations, that UFOs have not only been seen visually but have also been picked up on the radar screen and have left traces on the photographic plate.鈥�15听He concludes this passage by allowing that UFOs could still be a psychological phenomenon if 鈥減sychic projections throw back a radar echo.鈥�16听Due to the extensive nature of Jung鈥檚 analysis, and his public declarations of UFO validity, this final line appears more tongue-in-cheek than serious. The point is this: UFOs cannot be categorically dismissed as a form听of听public hysteria.听
To understand how radar played a role in听confirming the physical existence of unidentified objects flying in the sky, let us look at听two听cases. Although there is a veritable cornucopia of similar stories from credible witnesses, one such account took place on the night of January 28, 1953 near Moody Air Force Base in Georgia. A pilot on his return to base noticed an extremely bright light that did not appear to be a star. After checking his fuel levels, he decided to approach the light to determine its source. As he neared the light, he noticed that it did not appear to be a plane either. Instead,听the听massive glowing light began changing colors, cycling from white to red. When he was nearly upon the object, he was finally able to see the triangular shape of the craft鈥攁nd, in fact, it appeared to split into two triangular crafts, which disappeared in classic UFO manner: 鈥淚t was just like someone turning off a light 鈥� it鈥檚 there, then it鈥檚 gone.鈥�17听Turning back to base, the pilot radioed ground station to announce his approach but was interrupted by the ground operator who told him he had watched the UFO chase on radar.18听
Accounts like these are not limited to military personnel. A听New York Times听headline from July 22, 1952 reads, 鈥淔lying Objects听near听Washington听[DC]听Spotted听by Both Pilots and Radar.鈥� The听article details events from the听prior night, during which a series of UFOs passed near the nation鈥檚 capital. A seventeen-year veteran pilot of Capital Airlines spotted the objects, describing them听as听鈥渓ike falling stars without the tails.鈥�19听The Washington National Airport air traffic control center reported that 鈥渋ts radar operators had picked up eight of the slow-moving objects around midnight last Saturday.鈥�20听Civilians who were in the area also reported seeing the 鈥渟aucers.鈥� According听to witnesses, the objects were 鈥渟ilvery in color, tinged with red on the rims,听[and]听were flying in a 鈥榁鈥� formation of five.鈥�21听In the words of one local, 鈥淚 almost fainted when I looked up at the sky and saw what looked to me like five large dinner听plates flying through the sky.鈥� And another:听鈥淭hey gave off a glow and didn鈥檛 make a sound.鈥�22听
The day following this sighting, the听Air Force听was uncharacteristically quiet, claiming that 鈥渘o sightings were reported by 鈥極peration听Skywatch,鈥� the round-the-clock ground-observer operation now underway around the northern arc of the United States.鈥�23听Almost a week later, however, similar UFOs were sighted听in the same听Washington DC听area听by听both听man and radar, prompting the听Air Force听to scramble interceptor jets. Despite a two-hour delay听in听getting the planes off the ground, 鈥渙ne pilot reported seeing 鈥榣ights鈥� that he had not been able to overtake.鈥�24听Pressed to comment on the recent flurry of UFO activity, the听Air Force听maintained a non-committal position: 鈥淚t still did not know whether any such thing as a 鈥榮aucer鈥� existed.鈥�25听Although the existence of some type of unidentified aerial vehicles was hard to deny, the听Air Force听in 1952听had still not solidified its ultimate stance on the phenomenon: one of categorical denial.听
听
Project Blue Book, NICAP, Official Policy and Controversy听
The first rule in keeping secrets is 鈥渘othing on paper.鈥澨�
鈥擟IA Director Richard Helms听
听
In February 1949, Project Sign was phased out and Project Grudge began. Little changed in operational policy: 鈥渢he project was to continue to investigate and evaluate reports of sightings of unidentified flying objects.鈥�26听Captain Edward J.听Ruppelt鈥攚ho would later head Project Blue听Book, Project Grudge鈥檚 successor听operation鈥攄escribes the project change as a type of personnel shake up. Members of Project Sign, top intelligence specialists from ATIC, were 鈥減urged鈥� from the operation.听Ruppelt听describes the ensuing period as 鈥淭he Dark Ages,鈥� a time in which Project Grudge personnel engaged in a 鈥渢wo phase program of UFO annihilation.鈥�27听According to听Ruppelt, 鈥渢he first phase consisted of explaining every UFO report. The second phase was to tell the public how the Air Force had solved all the UFO sightings.鈥�28听Solving each case would eliminate the unidentified nature of the objects in question, thereby eliminating the UFO phenomenon as a whole. Unfortunately for the听Air Force, this would prove no easy feat.听
After less than a year, Project Grudge was phased out. Its legacy, however, is the massive report titled 鈥淯nidentified Flying Objects Project Grudge,鈥� Technical Report No. 102-AC-49/15-IOO. Typically referred to as 鈥渢he Grudge Report,鈥澨齮his 600-plus page document was ostensibly a case-by-case inspection of all reported UFO cases. The most noteworthy aspects of this document are its conclusions:听听
1. Evaluation of reports of unidentified flying objects constitute no direct threat to the national security of the United States.听听
2. Reports of unidentified flying objects are the result of:听听
听 听 听 听a. A mild form of mass hysteria or "war nerves."听听
听 听 听 听b. Individuals who fabricate such reports to perpetrate a hoax or seek publicity.听听
听 听 听 听c. Psychopathological persons.听听
听 听 听 听d. Misidentification of various conventional objects.29听
With this document, the era of categorical denial was ushered in. As听Ruppelt听points out, a note attached to the bottom of the report听indicates the听Air Force听was unwilling to change their stance, regardless of future inquiries: 鈥淚t is readily apparent that further study along present lines would only confirm the findings presented herein.鈥�30听
It was with this new, unwavering position that Project Blue听Book was introduced. Although听Ruppelt鈥檚听1956 book听The Report on Unidentified Flying Objects听is an invaluable firsthand account of Project Blue Book operations, his conclusions regarding the capitulation of UFO believers听fail听to capture the range of dissent. In his words, 鈥渢he anti-saucer faction was born because of an old psychological trait, people don't like to be losers. To be a loser makes one feel inferior and incompetent.鈥�31听Certainly, pressure from peers and superiors is enough to make one rethink one鈥檚 position, and鈥攗ndoubtedly鈥攖his happened within the UFO community. Still, there is evidence that not everyone yielded to pressure and surrendered his听beliefs. In fact, many high-ranking figures听were听determined to keep UFO investigations public, eschewing official rhetoric.听
Perhaps the most outspoken critic of听the spreading government cover-up was Major Donald听Keyhoe, retired Marine Corps naval aviator and cofounder of the National Investigations Committee on Aerial Phenomena.听Keyhoe听wrote several books during the 1950s and 1960s that documented inconsistencies between reported UFO data and official responses and policies. His personal and professional connections听also听gave him nearly unparalleled access to inside听information, at least from a civilian perspective. The information听Keyhoe听presents is well-cited by most听modern听UFO researchers, and, indeed, his perspective was highly听valued by his contemporaries,听as well鈥攆or example,听Ruppelt听and听Jung. As Director of NICAP,听Keyhoe听had a consortium of prominent figures听working to secure disclosure of UFO information, including Vice-Admiral听Hillenkoetter, former Director of the CIA; Dr. Earl Douglass, religious writer and columnist; Major Dewey听Fournet, former Pentagon monitor of the Air Force project; J.B.听Hartranft, President of Aircraft Owners and Pilots Association; Colonel R.B. Emerson, U.S. Army Reserve, Frank Edwards, TV and radio commentator; Professor Charles听Maney, physicist, Defiance University; Rear Admiral H.B. Knowles, USN, Ret.; and a host of rocket and space experts, flight surgeons, astronomers, aeronautical engineers, electronic experts, and pilots of all varieties.32听In short, NICAP was a formidable organization with an impressive list of members.听
NICAP was founded as a non-profit, private organization in 1956, and by the end of the decade it had amassed a membership that covered all fifty states and thirty foreign countries.33听And, despite whatever the听Air Force听may have wished听to the contrary,听UFO sightings continued to听pour听in across the country鈥攁nd the world. In order to combat the continued emergence of new reports, the听Air Force听issued two directives aimed at silencing witnesses by threatening legal punishment:听JANAP 146听and AFR 200-2. This听raises the question: if UFOs听could be easily explained as common occurrences, then听why all the secrecy? Carl Jung had this to say about official policies: 鈥淲hat astonishes me is that the American Air Force, despite all the information in its so-called fear of creating panic[,]听seems to work systematically to that very thing. It has never yet published an authentic and certain account of the facts.鈥�34听In other words, open and honest communication by the government would听foster听public trust, but the secretive and punitive nature of听Air Force听regulations听had听the opposite effect.听
Joint-Army-Navy-Air-Publication (JANAP) 146 was first issued in 1949, though the directive underwent a number of revisions over the years. This order, under the subheading CIRVIS听(Communication Instructions for Reporting Vital Intelligence Sightings), was meant to clamp down on听reports of听UFO sightings听being leaked to the public. Directed specifically at pilots鈥攎ilitary, naval, and even airline听personnel鈥攖his order instructed听that听UFO sightings听be immediately relayed听from anywhere in the world to a听predetermined听emergency station.听It was forbidden to discuss the subsequent reports with anyone in the public,听with infractions听punishable by fines and imprisonment. JANAP 146 also 鈥淸muzzled] all members of the Defense Department, the CAA, the Civil Aeronautics Board, and any other agency involved with CIRVIS reports.鈥�35听Punishment could even be extended to private citizens if they violated any aspect听of the order. Even before 1950, an听official UFO blackout was underway.听
AFR 200-2, another government directive,听was听first听introduced in August 1953.听Like JANAP 146, this order was meant to restrict public access to UFO information.听Perhaps听the most telling passage in this听regulation is Section B-9:听鈥淸I]nformation听regarding a sighting may be released to the press or the general public by the commander of the Air Force base concerned only if it has been听positively identified as a familiar or known object.36听[emphasis in text]听Essentially, all official press releases would dispel rumors of UFO activity because听each听disclosed听sighting would be accounted for as an听identified听object, while听unidentified听objects would remain under wraps.听 Another key passage in this听regulation is Section A-3:听鈥淪ince the possibility cannot be ignored that UFOs reported may be hostile or new foreign air vehicles of unconventional design, it is imperative that sightings be reported rapidly, factually, and as completely as possible.鈥�37听Clearly, this section contradicts the听Air Force鈥檚 public position of categorical deniability, showing marked interest in UFO activity听and the potential threat to national security.听听
Six years later,听the听UFO phenomenon continued to plague the U.S. government, and in December 1959,听the听Air Force Inspector General听issued special instructions to Operation and Training commands. Under the heading听鈥淯FO鈥檚 Serious Business,鈥澨齮he opening passage reads:听
Unidentified flying objects鈥攕ometimes treated lightly by the press and referred to as 鈥渇lying saucers鈥濃�攎ust be rapidly and accurately identified as serious USAF business . . . As AFR 200-2 points out, the Air Force concern with these sightings is threefold: First of all, is the object a threat to the defense of the U.S.? Secondly, does it contribute to technical or scientific knowledge? And then there鈥檚 the inherent USAF responsibility to explain to the American people through public-information media what is going on in their skies.38听
Ironically, much of the 鈥渓ight treatment鈥� by the press was a result of official dismissiveness鈥攖he Air Force even labeling UFOs as 鈥渏okes鈥� in public鈥攁nd stigmatization of believers as misinformed at best, kooks at worst.39听As this听document reveals,听government officials took the UFO phenomenon seriously, in terms of听both听national security and听as a听potential for听technological and scientific听advancement. Although the听final听instructional听point听also听suggests a benevolent responsibility on the part of听Air Force听representatives听to keep the public abreast of UFO activity, the official rhetoric rarely strayed from one of deniability.听
This听information听only became public in 1960听after a听whistleblower leaked the听Inspector General鈥檚 warning to the Senate Space Committee. A听Washington Post听article听from the time notes, 鈥淭he big-name privately financed Committee [NICAP] accuses the Air Force of deception in publicity describing unidentified flying object reports as delusions and hoaxes while sending private admonition to its commands.鈥�40听Indeed, many in the UFO community voiced their displeasure with the contradictory nature of the Air Force鈥檚 public and private positions听regarding the phenomena. As documents like AFR 200-2, JANAP 146, and the Inspector General鈥檚 warning became public, more people began to question the official policy line.听Hillenkoetter听understood鈥攑erhaps as only a former听CIA Director could鈥攖hat despite the Air Force鈥檚 public fa莽ade of nonchalance, 鈥渂ehind the scenes, high-ranking Air Force officers are soberly concerned about the UFOs.鈥�41听
听
Suppression, Obfuscation, and听Obsoletion听
Absolute power has no necessity to lie, it may be silent鈥攚hile responsible governments obliged to speak not only disguise the truth, but lie with effrontery.听
鈥擭apoleon Bonaparte听
听
In 1958,听Keyhoe听was asked to appear alongside Air Force officials on听the CBS鈥櫶鼳rmstrong Circle Theater documentary show 鈥淯FO (Unidentified Flying Objects)鈥擳he Enigma of the Skies.鈥� Despite a valid attempt听at impartiality by Armstrong Theater staff,听Keyhoe听asserts that pressure from the Air Force 鈥渁mounted to censorship of my script,鈥澨齮he content of听which included听publicly听disclosing four secret Air Force documents and revealing publicly the听punitively-binding regulations听AFR 200-2 and JANAP 146.42听Before taping, Air Force officials warned the program staff that 鈥渋f [Keyhoe] were permitted to make [his] disclosure, the AF would deny听the documents鈥� existence. If necessary, they would also denounce the quoted source鈥攖heir own former Project Chief [Ruppelt].鈥�43听When听Keyhoe听went ahead with his planned script, his microphone was turned off mid-disclosure and CBS switchboards lit up across the country鈥攚hy was听Keyhoe听being silenced?听In response to听Keyhoe鈥檚听assertions of Air Force secrecy, Major General Kelly USAF听wrote a public letter to听Keyhoe听claiming听the听Department of Defense鈥檚 latest fact sheet on UFOs 鈥渞eaffirms the United States Air Force position as to the non-existence of flying saucers鈥� and 鈥渁llegations that the United States Air Force withheld information on flying saucer reports are entirely in error.鈥�44听Almost a year later, the Inspector General鈥檚 鈥淯FO鈥檚 Serious Business鈥� would听become private official policy, directly contradicting Kelly鈥檚 public claim of UFO non-existence.听
Major听Keyhoe听was not the only high-ranking official being stonewalled in the 1950s. After three years as Project Chief for听Blue Book, Captain听Ruppelt听found himself in a precarious position after the Robertson Panel ruling. The Robertson Panel was a听1953听CIA-sponsored investigation into the findings of Project Blue Book, which noted 鈥渢he lack of sound data in the great majority of cases, and concluded that most sightings could be reasonably explained if more data were available.鈥�45听When the Grudge Report听had come听out four years earlier, a similar assertion had been听made: most sightings could be explained. What neither conclusion addressed听were听the听unexplained听sightings鈥攖he 鈥渦nknowns鈥� as they were called; even if ninety听percent of 10,000 cases were solved, that left 1,000 cases of unidentified objects. Dr. Thornton Page, a Robertson Panel scientist, would later admit that the panel 鈥溾�榯ended to ignore the five percent or ten percent [sic] of UFO reports that are highly reliable and have not as yet been explained.鈥欌��46听
Years after this admission, Page provided further explanation: 鈥淗.P. Robertson told us in the first private (no outsiders) session that our job was to reduce public concern, and show that UFO reports could be explained by conventional reasoning.鈥�47听In other words, this spy agency-backed panel was working toward a听predetermined听outcome, rather than simply seeking the truth. Here is what听Ruppelt听told听Keyhoe听about the process:听
We鈥檙e ordered to hide sightings when possible, but if a strong report does get out we have to publish a fast explanation鈥攎ake up something to kill the report in a hurry, and also ridicule the witness, especially if we can鈥檛 figure out a plausible answer. We even have to discredit our own pilots. It鈥檚 a raw deal, but we can鈥檛 buck the CIA. The whole thing makes me sick鈥擨鈥檓 thinking of putting in for inactive.48听
Indeed,听Ruppelt听was off the project within the year.听And despite the flurry of UFO activity in 1952鈥攑articularly the disconcerting series of 鈥渇laps鈥� around Washington,听D.C.鈥攖he Robertson Panel听findings effectively听silenced the governmental UFO community. A new policy was put in place: debunk听sightings听and听deter听public interest, regardless of data.听
After听Ruppelt鈥檚听exit, the Project Blue Book staff was reduced from ten to three, and its UFO investigations became cursory procedures鈥攔arely delving too deeply听into any mysteries. Military orders鈥攍ike AFR 200-2 and JANAP 146鈥攖hreatened severe punishment for individuals听who made their sightings public;听indeed, official sightings dropped dramatically. At the same time, a CIA-enforced public debunking program was put in place to lull the public back into unquestioning acceptance of whatever governmental position was offered鈥攊n this case, the categorical听public听dismissal of the UFO phenomenon. These implementations did little to reduce the number of sightings鈥攁nd evidence abounds of continued sightings from around the world听up through the present moment鈥攂ut they did manage听to听alter public perception. As the government solidified听its听position, fewer mainstream media sources challenged the proffered narrative, and individuals who did come forward were often ridiculed or disbelieved. In effect, the government program of silence was working.听
听
Conclusion听
To condemn a thing thus, dogmatically, as false and impossible, is to assume the distinction of knowing the bounds and limits of God鈥檚 will and of the power of our mother Nature. . . . It is dangerous and presumptuous, besides the absurd temerity that it implies, to disdain what we do not comprehend.
鈥擬ichel de Montaigne, 鈥淢easuring the True and False鈥澨�
听
After nearly two decades of collecting UFO data, Project Blue Book ended in 1969. The听impetus for its cessation was based on the findings of two government-sponsored programs:听the Condon Committee and the University of 蜜糖直播鈥檚 鈥淪cientific Study of Unidentified Flying Objects.鈥澨齅uch like the Robertson Panel conclusions, the findings of these two groups were, at the time, cited as ostensible proof of the nonexistence of UFOs,听and,听as with听the Robertson Panel,听information would surface years later evidencing听that听predetermined conclusions听had been reached听by biased members听of the committees.49听By this point, the government had already succeeded in tamping down public interest in the听unexplained听aerial phenomena, and official reports publishing foregone conclusions came as little surprise to those familiar with the topic. In a sense, the cover-up was a success鈥攖hough the persistent UFOs still did not go away.听
The听1940s and 1950s听large-scale听UFO sightings听coincided with a period of dramatic technological advancement鈥攑articularly in the field of aviation. Aerial warfare in World War II was at its peak, and sightings of foo fighters were reported by numerous pilots of听various听nationalities. Before the invention of the U-2 spy plane in the mid-1950s and the SR-71 Blackbird in the mid-1960s, there was little doubt by听military leaders around the globe that the flying capabilities of UFOs were indeed 鈥渙therworldly.鈥� As aviation technology advanced rapidly in the post-World War II era, it is safe to assume that many unidentified aerial objects could be explained by natural phenomena or by newly developed aeronautics. Still, scores of UFOs were reported by credible witnesses, including veteran pilots and astronauts鈥攅ven two U.S. presidents鈥攁nd听corroborated by radar evidence, perhaps even physical evidence.听Although attempts to dismiss UFO sightings as a type of psychological phenomenon did gain traction in听the media,听researchers听in the field, like Dr. Carl Jung,听disputed听such a听broad听contention.50听听
When UFOs arrived听en听masse in the mid-1940s, many believed the cause was nuclear weaponry. To be sure, numerous UFO sightings occur听in areas known for nuclear testing, and reports of UFO activity over military instillations harboring nuclear weapons have been听made听by scores of military personnel. Given the currently available public information, determining the origin and motivation of UFO activity is reduced largely to conjecture. It is clear from leaked government documents that national security听has always been a concern with unexplainable phenomena.听Interestingly, in the 1959 Inspector General鈥檚 order, analyzing UFOs for possible scientific and technical knowledge was听a听secondary听priority. This raises the question: would the government share any knowledge gleaned from UFO activity?听Would it听reveal any secrets if a craft听were ever听recovered? Regardless听of听what a citizen living in the 1950s would answer, most people today would probably say听no.听Given the current state of听American global surveillance, widespread American hegemony,听and the听increasing amount of liberty-eroding听American听legislation, few individuals are delusional enough to believe in the听unmitigated听benevolence of the American government.听
As the number of UFO sightings increased in the late 1940s and throughout the 1950s, official policy turned the UFO contingent into a group of outsiders. Many civilians no longer felt compelled to share their experiences, and most military personnel were convinced the punishment was not worth听the disclosure. At the same time,听CIA-backed disinformation disseminated through the strata of American society, and as it did, UFO questioning took on a听more听mocking tone.听In this sense听Ruppelt听was right:听UFO believers now belonged to the loser camp, and nobody wanted to be a loser. Debunking UFOs was no longer a question of analyzing facts, it was simply dismissing the notion without investigation鈥攐r worse,听with听ad hominem attacks. To borrow from听historian听David Jacobs, a truism began to emerge:听听
All debunkers make one or more of three fundamental mistakes: They do not know the evidence, they ignore the evidence, or they distort the evidence. Any one of these errors would be catastrophic and perhaps even scientifically dishonest when writing about something of accepted scientific consequence. Leaving in mistakes is tantamount to ignoring or to distorting the evidence. Unfortunately, when it comes to [UFO activity], all debunkers comply with the evidence truism. There are no exceptions.51听
By the end of Project Blue Book, the Air Force had created a nearly airtight apparatus that could deflect UFO sightings with ease.听
The reverberations of this UFO cover-up are still felt today. When John Podesta, senior advisor to President Obama, left his position in 2015, he had this to say about UFOs听via twitter:听鈥淢y biggest failure of 2014: Once again not securing the [disclosure] of UFO files.鈥澨�52听A newspaper article discussing this tweet also had a comment from Stephen Bassett, longtime UFO researcher and lobbyist:听
In order for the truth embargo to end, the president must go to the Pentagon and they have to cut a deal, where the Pentagon gets assurances from the White House about how disclosure will take place, how the post-disclosure period will be conducted. . . . And the president has to get confirmation from the Pentagon that when he announces the ET presence, that they鈥檙e going to back him up. The whole purpose of this entire advocacy movement and everything I鈥檓 doing and other people are doing is to get that deal cut鈥� that鈥檚 what it鈥檚 all been about for at least the last twenty-five years.53听
In other words, the factional divisions of American bureaucracy need to be united听before听disclosure听can take place. What will they reveal? That鈥檚 anybody鈥檚 guess. What is certain is that actions taken by the government鈥攖he Air Force and other intelligence agencies鈥攊n the 1940s and 1950s have created an environment in which public disclosure of UFO information would听likely听have severe repercussions,听and years of deceiving, or misinforming,听the public could exacerbate current public-government听trust issues. Whatever the outcome听should public disclosure take place,听the concerted effort by government agencies to silence UFO discussion can be traced back over half a century,听to mid-1940s America听and the听birth of a cover-up.
听
BIBLIOGRAPHY听
Primary Sources听
Associated Press. 鈥淎ir Force Explains 2-Hour Delay In Chasing 鈥極bjects鈥� Over Capital.鈥澨齆ew York Times, July 29, 1952. Accessed March 5, 2016. ProQuest Historical Newspapers.听
Associated Press. 鈥淏alls of Fire Stalk U.S. Fighters in Night Assaults over Germany.鈥澨齆ew York Times, January 2, 1945. Accessed March 18, 2016. ProQuest Historical Newspapers.听
Associated Press. 鈥淒r. Jung Says 鈥楽aucers鈥� Exist; Bars Psychological Explanations.鈥澨齆ew York Times, July 30, 1958. Accessed March 6, 2016. ProQuest Historical Newspapers.听
Associated Press. 鈥淣o Evidence: Flying Disks Branded 鈥楯oke鈥� by Air Force.鈥澨齃os Angeles Times, December 28, 1949. Accessed March 18, 2016. ProQuest Historical Newspapers.听
Associated Press. 鈥淔lying Objects Near Washington Spotted by Both Pilots and Radar.鈥澨齆ew York Times, July 22, 1952. Accessed March 6, 2016. ProQuest Historical Newspapers.听
Associated Press. 鈥淔lying Objects Sighted Near Washington.鈥澨鼶aily Boston Globe, July 22, 1952. Accessed March 6, 2016. ProQuest Historical Newspapers.听
Edwards, Frank.听Stranger than Science. New York: Lyle Stuart, 1959.听
Karig, Walter. 鈥淭he U.S. Air Force and the Saucers.鈥澨齏ashington Post and Times Herald, January 22, 1956. Accessed March 5, 2016. ProQuest Historical Newspapers.听
Keyhoe, Donald.听The Flying Saucer Conspiracy.听New York: Holt, 1955.听
听 听 听 听 听 .听Flying Saucers: Top Secret. New York: Putnam, 1960.听
听 听 听 听 听 . 鈥淭V Ruckus on Flying Saucers.鈥澨鼶aily Boston Globe, February 2, 1958. Accessed March 6, 2016. ProQuest Historical Newspapers.听
Ley, Willy. 鈥淯nidentified Flying Objects.鈥澨齆ew York Times, August 12, 1956. Accessed March 5, 2016. ProQuest Historical Newspapers.听
鈥淢ystery Air Objects Seen In Sky over LA.鈥澨齃os Angeles Times, November 6, 1957. Accessed March 6, 2016. ProQuest Historical Newspapers.听
Ruppelt, Edward.听The Report on Unidentified Flying Objects. Garden City, NY: Doubleday, 1956.听
Serling, Robert. 鈥淐ongress UFO Study Is Reported.鈥澨齏ashington Post and Times Herald, August 3, 1958. Accessed March 5, 2016. ProQuest Historical Newspapers.听
Speigel, Lee. 鈥淥utgoing Obama Advisor John Podesta Has UFO Regrets.鈥澨鼿uffington Post, February 17, 2015. Accessed April 4, 2016. 听
/john-podesta-regrets-no-ufo-disclosure_n_6699646.html听
Spivak, Alvin. 鈥淎F Orders 鈥楽erious鈥� Flying Objects Check.鈥澨齏ashington Times, February 28, 1960. Accessed March 20, 2016. ProQuest Historical Newspapers.听
鈥淯FO Is a Reflection from Arc Welders.鈥澨齏ashington Post and Times Herald, October 8, 1958. Accessed March 6, 2016. ProQuest Historical Newspapers.听
听
Secondary Accounts听
Cantril, Hadley.听The Invasion from Mars: A Study in the Psychology of Panic.听New York: Harper Torchbooks, 1940 (Princeton University Press, second edition, 1965).听
Dolan, Richard.听UFOs and the National Security State: Chronology of a Cover-up 1941-1973.听Charlottesville, VA: Hampton Roads, 2002.听
Fox, James C., dir.听Out of the Blue. Hannover House, 2002. Accessed March 5, 2016. .听
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Randle, Kevin.听Project Blue Book Exposed. New York: Marlowe & Co., 1997.听
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Bathing in Modernity: Undresseing the Influences Behind Edgar Degas and Mary Cassatt's Bagneuses, Maiji Castro
Link to Full Thesis:听
Abstract听
This thesis examines how the motifs used in bathing genre paintings from Greek and Roman myths to eighteenth-century eroticism are evident in the bathing series of Edgar Degas and Mary Cassatt.听 The close professional relationship of Edgar Degas and Mary Cassatt is evident in the shared themes and techniques in their work and in personal accounts from letters by each other and their contemporaries.听 Both Degas and Cassatt desired to move away from historical genre painting, and instead to portray the changing emotions and social constraints of modern life.听 However, the extensive tradition from the听Aphrodite of Knidos听to Ingres鈥櫶齎alpin莽on听Bather听of the erotic female nude impacted both their depictions and critics and scholars鈥� interpretations.听 I examine the prevailing iconography of the female nude through an analysis of the classical representations of the female nude, Japanese prints of bathers, and Degas and Cassatt鈥檚 respective depictions.听 I argue that a new way of examining modern understandings of privacy and cleanliness may have been at the root of Degas and Cassatt鈥檚 representations of bathers, but their classical training throughout Europe and the influx of Japanese prints of bathhouses influenced these representations.听听听听听
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Chapter 1:听听听
Visions of the Female Nude听
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The idealized human body most commonly found in ancient Greece belonged to men, as there were many taboos against rendering the female body without clothes.听 In ancient Greece, before the mid fourth century BCE, depictions of the nude body pervading society were overwhelming of masculine figures.听 The ancient Greeks were restrained from depicting the female nude because of social and religious reasons.听 Socially, male nudes were more common because men felt the need to see themselves reflected in their images of heroes and gods, creating an archetype to strive towards.听 Religiously, female nudes were prohibited as a result of the multitude of myths revolving around the ire of goddesses and the downfall of the human men who viewed them unclothed.听听
The听Aphrodite of Knidos, the original of which was destroyed, with only Roman copies remaining, was praised as the apotheosis of the female form.听 The sculpture was created for an Athenian temple, as an offering of gratitude to the Goddess Aphrodite after the successful defeat of the Spartans off of the Knidos Peninsula, the south-west coast of modern day Turkey.听 In the temple the sculpture was positioned such that worshippers who visited first approached the sculpture from the back and could view the sculpture in the round (fig. 1,听Venus Colonna, Roman copy of Praxiteles鈥櫶鼳phrodite of Knidos, fourth century BCE, Pius-Clementine Museum, Vatican City).听The听Aphrodite听sculpture utilizes the contrapposto stance, with her left leg bent as if to take a step forward; this imparity of balance creates a gentle curvature of her body.听 The relaxed geometric curve remains an essential part of the female nude today and a familiar symbol of desire.听 The arc of her right arm emphasizes the sinuous line of her body as she modestly covers her genitalia.听 Aphrodite鈥檚 head is turned towards her left shoulder, exhibiting indifference towards any viewers who may be standing in front or behind her, and permits their gaze.听 Praxiteles鈥� success showed people that goddesses would not strike them down if depicted disrobed.听 However, Praxiteles still did not dare to represent Aphrodite in the nude without cause; her nakedness required a degree of elucidation.听 The explanation was provided by the water jar at Aphrodite鈥檚 side, a sign of the female body as a vessel, over which her robes are draped. In ancient Rome and Greece bathing was a way of life, and the water jug would be instantly recognizable in both Greece and Rome as another symbol of Aphrodite鈥檚 divine nature and her femininity.听 The Greeks related cleanliness to divinity; the elaborateness of the toilette and physical cleanliness directly related the individual's proximity to the gods.听 In Rome bathing was essential; bodily hygiene was not only promoted, but made accessible to all citizens by way of the clean water running through the numerous aqueducts.听 It was commonplace for both the upper and lower classes, men and women, to take advantage of the numerous public baths and fountains around the cities.听 The prevalent motif of bathing in Greek and Roman arts acknowledged this social expectation.听 Bathing was an indispensable part of most inhabitants鈥� day in both the Greek and Roman empires.听 Its social importance was reproduced in the听Aphrodite of Knidos, which captures the moment either just before or after Aphrodite鈥檚 bath, signaling her divinity.听 The sudden opening of the female nude to artistic ventures was the impetus of an aesthetic shift, a response to 2 hygienic practices and especially听scopophiliac听desires in society exploited through images of bathing.听听
Praxiteles鈥櫶鼳phrodite听signaled a transformation in art: men were no longer as interested in portraying or seeing themselves in the nude; now they wanted to be able to see the ideal woman, a previously inviolable goddess, touched by their gaze.听 Michael Squire and John Berger argue vehemently for the indelible harm caused to women by the female nude.听 Squire argues that: 鈥渕odern women are enslaved through the ancient Greek: today the female nude still performs a revolving dance for her cocksure male听scopophiliacs.鈥澨� This argument implies that male听scopophiliacs听would impose the idealization of the female nude on real woman.听 John Berger advances the argument, as he famously claims that:听听听
Men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman is herself a male: the surveyed female. Thus she turns herself into an object and most particularly an object of vision: a sight.听听听
Berger argues that the female nude, starting with the听Aphrodite of Knidos, is viewed as an object on display, and women have been transformed into objects as a result.听 The听Aphrodite of Knidos听supports Berger and Squire鈥檚 argument as the genesis of women as objects as she could be viewed from all angles, and her averted gaze did not challenge the male viewers鈥� inspection.听 Both of these arguments assert that the predilection of women as objects of the male gaze still pervades society today.听听听听
The essential elements of the听Aphrodite of Knidos, including the placement of her feet, the sinuous curve from her hip to her breast, appearance of modesty, pretense for her nudity, and the added social connotations towards water and bathing, would be replicated time and time again by artists from Classicism to Romanticism.听 The small variants to the female nude came about as a result of varying social attitudes towards water.听听听
While the rare immersive baths for rituals and inner purification were allowable, the scarcity of water meant that people were discouraged from taking full baths regularly.听 European denizens post Roman Empire were discouraged from bathing by relating the use of water for physical cleanliness with hedonism, fornication, the devil and sin. The story of Susanna and the Elders from the biblical book of Daniel, chapter 13, chronicles the events succeeding the moment when two lecherous old men solicit the married Susanna after watching her bathe alone.听 Although Susanna is innocent of any wrongdoing, when the elders accuse her of adultery after she refuses their advances, she is sentenced to death.听 Before Susanna is wrongly executed, Daniel interrupts the proceedings and demands a fair trial, during which she is proven innocent.听 Susanna and the Elders satisfies all the requirements of painting a female nude: some degree of modesty, men as spectators, and a reason for the nudity,听while also vilifying bathing for pleasure.听 Regarding Susanna and the Elders as a subject for painting Mary D. Garrard said:听听听
Few artistic themes have offered so satisfying an opportunity for legitimized voyeurism as Susanna and the Elders.听 The story was an opportunity to display the female nude, but with the added advantage that the nude鈥檚 erotic appeal could be heightened by the presence of two lecherous old men, whose inclusion was both听iconographically听justified and pornographically effective.听听听听听
Susanna and the Elders听(fig. 3, 1686,听Stibbert听Museum, Florence) by Luca Giordano (1634 - 1705) depicts the most voyeuristic moment of the story.听 In this painting Susanna鈥檚 body is turned fully forward her arm splayed out, leaving her body open to the viewer, as she rejects the elders鈥� advances and titillates the male audience.听 She is half covered demurely with a sheet and the bath is indicated by the shallow pool at her feet and the fountain streaming down from the cupid sculpture.听 Although her feet do not actually touch the water, its very presence indicates bathing invites sin and the devil.听
Contrasting Giordano鈥檚 overt male gaze, is Artemisia Gentileschi鈥檚 (1593 - 1653)听Susanna and the Elders听(fig. 4, 1610,听Pommersfelden, Schloss听Weissenstein, Private Collection).听 In direct opposition to Giordano鈥檚听Susanna, Gentileschi鈥檚听Susanna听is shown with her foot in the water; she is preparing to actually take a bath; it is not just a pretense.听 In Gentileschi鈥檚 painting the elders are looming threateningly above the innocent Susanna as one large imposing force.听 Susanna is seated on the step below the elders, barricaded into place by the stone wall.听 The position of her body is not open, inviting the gaze, but closed off as her knees point towards the side and her arms come across her body to ward off the elders.听 Her gesture can be read as derived from Michelangelo鈥檚听Adam Being Expelled from Paradise听in the Sistine Chapel (1509), where the gesture is used to fend off the avenging angel, or a female version of听Noli听me听Tangere.听 Both interpretations bestow a level of purity and divinity upon Susanna, whose face is frozen in a grimace of distaste and fear.听 The听Pommersfelden听Susanna听is subject neither to Kenneth Clark鈥檚 ideas about the female nude as a form of art nor to John Berger鈥檚 ideas about the woman on display, as Giordano鈥檚听Susanna听is.听 I argue that the female gaze of the artist changes the voyeuristic narrative; Gentileschi took a familiar subject matter and created a woman who was not on display or an allegory.听 Instead Gentileschi depicts a Susanna who is real, whose terror at the situation can be understood and felt; there is no听scopophilic听pleasure derived from this painting.听
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Chapter 2:听
The Bourgeois Bather听听
An Education听听
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Mary Cassatt had spent years traveling around Europe receiving her education from masters located in both studios and museums.听 However, her artistic style was stagnated by the inclinations of the male jury of the French official exhibitions.听 Edgar Degas鈥檚 invitation to Cassatt to join the Independents empowered her to find an individual voice and style away from the confines of the Academy-educated Salon.听 Degas and Cassatt鈥檚 artistic relationship was based on a mutual appreciation of the other鈥檚 works and skill.听 Their shared desire to illustrate and comment on modern life informed how they approached the familiar bathing female nude.听
Degas, Claude Monet, Camille Pissarro and other artists, fed up with the jury process of the annual Salon, found a new way to show their work by holding their own exhibition titled the Anonymous Society of Painters, Sculptors, Printmakers, etc. in 1874.听 This group of artists would later be grouped together as the Impressionists, although Cassatt and Degas never approved of the title, preferring to call themselves Independents.听 Their work was connected by their use of bright colors, loose brushwork and scenes of modern life that were prompted by Baudelaire鈥檚听Painter of Modern Life听(1863).听 The exhibition was met with varying degrees of success as some lauded the work as a new approach to painting and others criticized their divergence from the classical canon.听 By 1877, Mary Cassatt had become frustrated with the sexist jury process of the Salon after her work was rejected for the third year in a row.听Somehow aware of Cassatt鈥檚 rejection, Degas approached her and issued an invitation to exhibit with the Independents.听 Cassatt was the only American and one of three women to show with them.听 How exactly this invitation came about is unknown since the letters exchanged between the two were lost; additionally it is unknown if Degas and Cassatt were acquainted before 1877.听 It is conceivable they met before this time, because they ran in the same circles in Paris, but between 1874 and 1877 both Degas and Cassatt spent time traveling abroad, so it is also possible they had not met.听 Cassatt did not show work with the Independents until 1879, taking time to individualize her style and technique away from the restrictions of the Academy-based Salon.听听听听听
Cassatt had a plethora of skill and determination that, encouraged and inspired by Degas, allowed her to challenge both social and artistic conventions.听 Through Degas's relationship with Cassatt, and perhaps the other bourgeois women in his life, he could glimpse and reproduce the effect society鈥檚 fetters had on the daily life of women in his own class.听 The common assumption that Cassatt was a follower or pupil of Degas is incorrect; they both learned from each other鈥檚 technique and outlook on life as artistic partners, to which their bathers attest.听 Additionally, their depictions of bathers predicate to their shared inspirations from both eastern and western sources.听听听听
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Chapter 3:听
Bathing in Modernity听
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The other precedent to Degas and Cassatt鈥檚 images of bathers came from the other side of the world in the form of widely disseminated prints from Japan.听 Degas and Cassatt were both admirers of Japanese prints, Degas even experimenting with fans as canvases on which to paint.听
Degas and Cassatt studied Japanese prints avidly, and did sketches of them, just as they had done sketches of the classical masterpieces.听 They were interested in the Ukiyo-e prints of all genres both for their structural qualities, as displayed in Degas鈥檚 prints and pastels of Cassatt, and their subject matter.听
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Cleanliness and Propriety听
The Ukiyo-e prints were one of numerous influences on Degas and Cassatt鈥檚 bathers鈥� series. Their other influences came from varying interpretations of Susanna and the Elders, as well as the听Aphrodite of Knidos听and Ingres.听 Through their bathers, Degas and Cassatt were striving to depict scenes of modern life, and challenge the hallowed Salon-approved subjects and techniques.听 They, and the other Impressionists, strove to create a modern iconography which appropriately represented the modern era.听 However, the subject of women bathing has an extensive and unique history which kept the听baigneuses听of Degas and Cassatt tied to the classical iconography.听听听
The historic iconography and aesthetic associated with the position of the body and the symbolism of water are manifest in Degas and Cassatt鈥檚 bathers but visualize social changes regarding the toilette and in Cassatt鈥檚 case women鈥檚 moral character.听 In Degas鈥檚 bathers, despite the fable surrounding the 鈥榢eyhole鈥� view and all the voyeuristic suggestions it implies, he did not seek to exploit their nudity.听 Their nudity, associated with bathing, comments on the rebirth of the toilette, the expected respectability of women, and their freedom in private spaces.听 Degas portrayed women who were being reborn in modernity, while Cassatt portrayed women who did not need to be reborn; they were shaping the next generation with moral and physical cleanliness.听 Degas and Cassatt had appropriated the iconography of the female听baigneuse听to elucidate modern perceptions pertaining to gender and hygiene.听听听听
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Boggs, Jean Sutherland.听Degas. New York: The Metropolitan Museum of Art, 1988.听
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New York: Harper & Row, 1982.听听
--- Not sure how to cite this correctly with two authors!听
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